31 Days of Horror: The Transformation in ‘American Werewolf in London’
To celebrate the spookiest month of the year, we’re exploring the cinematic macabre. Today we look at Rick Baker’s stunning FX work in ‘American Werewolf in London.’
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31 Days of Horror: The Scariest Shot in ‘Last House on the Left’
To celebrate the spookiest month of the year, we’re exploring the cinematic macabre. Check back with us each day as we (and special guests) highlight different aspects of some of our favorite horror movies. First up: the most terrifying frame in Wes Craven’s 'Last House on the Left.'
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30 for 30 Filmmaker Sam George on The 'Hawaiian' and the Perils of Directing Re-enactments
'Hawaiian: The Legend of Eddie Aikau' celebrated its world premiere at TFF 2013. Watch it again this Tuesday, Oct 1, at 8PM ET on ESPN.
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Forever Fest: The First Festival Celebrating Girlie Pop Culture
Finally! A festival dedicated to the celebration of films, books, and television shows aimed at the interests of the female audience. But they need your help to make it happen.
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The Best John Goodman Quips from the ‘Inside Llewyn Davis’ Press Conference
John Goodman’s collaboration with famed directors Joel and Ethan has spanned decades, which was apparent during the NYFF press conference for 'Inside Llewyn Davis.'
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The ‘We Are What We Are’ Team Talks Religion, Cannibalism and Their Hatred of Found Footage
Filmmakers Jim Mickle and Nick Damici sit with actors Bill Sage and Julia Garner to discuss their collaborative process and why their film is not a remake of the famed 2010 Mexican horror classic. Oh, and did we mention they really hate found footage horror?
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5 Underrated Sam Rockwell Performances
In honor of Sam Rockwell’s tremendous work in ‘A Single Shot,’ we’re looking back at five of the actor’s roles that deserve a little more attention.
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Lana Wilson and Martha Shane on ‘After Tiller’ and Telling Stories That Matter
The co-directors of ‘After Tiller’ take a personal look at late-term abortion care in the United States told through the eyes of the only four doctors in that practice in the country.
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Geoff Gilmore on Venice, Toronto and the Changing Nature of the Marketplace
Tribeca Chief Creative Officer Geoff Gilmore shares his thoughts on the stigma associated with VOD, the phenomenon of “festival favor,” and, of course, cell phone usage at the movies.
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25TH HOUR is Spike Lee’s Unheralded Masterpiece
Spike Lee’s exploration of post-9/11 New York through the eyes of Monty Brogan, a convicted drug dealer on his way to prison, remains the filmmaker’s most controlled and intense work to date.
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Brad Pitt, Please Don’t Do a Sequel to ‘World War Z’
At TIFF, ’12 Years a Slave’ star Brad Pitt was asked if he would be open to a second installment of ‘World War Z.’ Sadly, he said “yes.” Here is our public plea.
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Remember When Vin Diesel Was An Indie Filmmaker?
Before Riddick…before Xander Cage…before Dominic Torretto…Vin Diesel was just another indie filmmaker trying to break into the industry.
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‘Our Nixon’ Director Penny Lane on Kickstarter’s Early Days and Doc Trends She Hates
Ever wanted to be a fly on the wall in Nixon’s Whitehouse? Penny Lane’s ‘Our Nixon,’ a riveting compilation of never before seen Super 8 home movies shot by the President’s staff, is in theaters now.
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Why Joel Schumacher Ruled the ‘90s
In honor of the 74th birthday of this versatile auteur (yes, that is the correct word), we celebrate Joel Schumacher’s five most important films of the nineties.
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Interview: Filmmaker Destin Cretton on Getting ‘Short Term 12’ to the Screen
We spoke to the writer/director of one of the most anticipated indies of 2013 about his amazing cast, how he got over his fear of writing from a female perspective, and why art is an essential form of self-expression.
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Brie Larson on ‘Short Term 12’ and Her 'Breakout' Year
You’ll be hearing about Brie Larson’s star-marking turn in 'Short Term 12' often during the upcoming award season (we promise). We spoke with her about her amazing year, her audition, and what she looks for when she watches her own movies.
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Keri Russell on Fandom and the Weird and Wonderful World of ‘Austenland’
The lovely Keri Russell talks about starring in her first romantic comedy, improvisation and collaborating with writer/director Jerusha Hess.
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Jerusha Hess Talks ‘Austenland’ & Obsessive Fandom
We spoke to Jerusha Hess about working with novelist Shannon Hale (and Stephenie Meyer), fandom, and why a sensible woman would choose Mr. Bingley over Mr. Darcy.
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David Lowery on ‘Ain’t Them Bodies Saints’ and Making the Transition from Editing to Directing
We spoke to the Dallas-based filmmaker about blogging, the importance of knowing your cinematic history and why you shouldn’t feel bad hating your movie at first.
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Filmmaker Zach Heinzerling On ‘Cutie and The Boxer’ and the Artist’s Sensibility
What if you lived your life solely to create art? We spoke to documentarian Zach Heinzerling about the fascinating Shinoharas, the modern art world, and his film’s stunning opening sequence.
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The ‘Off Label’ Filmmakers On Daunting Subject Matter and Finding Your Story in the Editing Room
Directed by Michael Palmieri and Donal Mosher, ‘Off Label’ is a riveting and compelling look at the untold stories of Americans who use, abuse, and misuse prescription drugs.
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‘Newsroom’ Breakout Joel Johnstone on Aaron Sorkin, Social Media and Why NYC is a Filmmaker’s Town
With a small but showy recurring role on HBO’s "The Newsroom," this actor/filmmaker is one to keep your eye on.
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Tim Roth on ‘Broken,’ Vimeo and Why Actors Should Embrace VOD
Oscar-nominated actor and all-around British icon Tim Roth spoke to us about fatherhood, the dangers of technology and “taking the piss out of” Instagram Video and Vine.
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The 5 Most Exciting Things About The ’12 Years a Slave’ Trailer
Filmmaker Steve McQueen (‘Hunger,’’Shame’) tackles the harrowing true story of Solomon Northup, a free man who is kidnapped, sold into slavery and fights to return home in what promises to be one of the most talked about films of the year.
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The 5 Most Exciting Things About the ‘Oldboy’ Trailer
Many have criticized Hollywood’s baffling decision to remake Park Chan-wook’s 'Oldboy,' the 2003 Grand Prix winner at Cannes. But the recent trailer for the film, which will be helmed by Spike Lee, looks pretty good.
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