Submarine: Richard Ayoade
Starring Craig Roberts as a modern-day, British Holden Caulfield of sorts, Richard Ayoade's directorial debut revives a specific brand of quirk.
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Woody Allen: Midnight in Paris
Woody Allen opens up—and slings a few zingers—at the press conference for his latest. Also? He's acting in his next movie...
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The Reel Deal: Certified Copy
Abbas Kiarostami's latest may be terribly similar to other talky art films, but don't let that distract you from its originality.
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Topher Takes Us Back
Topher Grace doffs the flares and tips his hat to the best decade for teen movies in Take Me Home Tonight.
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Uncle Boonmee...
Auteur with a capital A Apichatpong Weerasethakul speaks with us about his Cannes winner, in which he pushes the boundaries of conventional cinema.
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Heartbeats: Monia Chokri
Xavier Dolan's muse dishes on the intricacies of working with the 21-year-old Canadian auteur, whose latest is a would-be 20-something love triangle.
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Cold Weather: The Cool Kind
Tribeca gets the inside scoop on director Aaron Katz’s entry into Indie Genre-Mashing.
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NEXT!: Uncle Kent
Director Joe Swanberg continues his cinematic exploration of the cyber with a film that puts our rapid-fire relationships on pause.
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The Housemaid: Im Sang-Soo
Director Im Sang-Soo revisits a creepy Korean classic, this time directing his focus on the world of the fabulously wealthy.
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Casino Jack: Kevin Spacey
The Oscar winner takes his theatrical talents to another (comedic) level in his latest dominant performance—as superlobbyist Jack Abramoff.
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Rabbit Hole: John Cameron Mitchell
The director of Rabbit Hole talks genres, aesthetics and porn's effect on the young. Yes, he went there.
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Free Wheeling (and Dealing)
When the going gets tough, the tough get producing. Filmmaker Ry Russo-Young and star Stella Schnabel enlighten us on You Wont Miss Me's winding journey from Sundance to theaters.
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Shoah: Don't Look Away
On the eve of its 25th anniversary re-release, director Claude Lanzmann talks about the process of making one of the most esteemed documentaries of all time.
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Crimes and Misdemeanors, Czech-Style
Kawasaki's Rose, this year's Czech Republic entry for Best Foreign Film, is one part character study, one part morality essay.
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Tiny Furniture: Lena Dunham
The latest prodigy indie cinema has to offer, Lena Dunham doesn't have it all figured out by age 24—but she's getting there.
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Monsters: Gareth Edwards
Gareth Edwards' directorial debut is a unique combination of monster-movie and road-trip romance.
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11/4/08: A New Wave of Filmmaking
Pushing the boundaries of both production and distribution methods, Jeff Deutchman's collaborative documentary 11/4/08 may take place on a now-famous Election Day, but it seems like a film from the future.
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Carlos: Olivier Assayas
Swinging back to his international-thriller style (with a vengeance), Olivier Assayas's 5-hour-plus epic focuses on an equally outsized personality, Carlos the Jackal.
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Enter the Void: Gaspar Noé
"A collective dream that deserved to be portrayed..." In his latest feature, the transgressive French filmmaker posits that death is the ultimate drug trip.
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Reeled In: Catfish
It's tough to learn much about Catfish without learning TOO much, but our interview with filmmakers Henry Joost and Ariel Schulman is spoiler-free.
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Vive le Heartbreaker!
With his feature-film debut, Pascal Chaumeil utilizes Romain Duris' effortless charm as never before, in the madcap hilarity that is Heartbreaker. Plus, Dirty Dancing!
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A Woman, A Gun, and a Noodle Shop
After directing China's media in the 2008 Olympics, Zhang Yimou returns with his most audacious film yet: a Chinese remake of the Coen Brothers' debut, Blood Simple.
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Paparazzo: Ron Galella in Smash His Camera
From Jackie O to Marlon Brando, celebrity photographer Ron Galella got the shot, no matter what. Oscar winner Leon Gast invites you to love Galella or hate him.
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Kevin Kline: The Extra Man
Veteran actor Kevin Kline plays to his strengths as an eccentric East Sider who adopts a protege (Paul Dano) in this winning new comedy, which also features the return of Katie Holmes.
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The Reelist: Before the Credits Roll
The script is everything, and this week's Reelist revisits ten movies with the greatest closing lines—the ones that send audiences away with a smile, a nod, or a quizzical shake of the head.
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