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April 25, 2009 11:00AM EDT

Q&A: The Eclipse

Eclipse

Renowned playwright and filmmaker Conor McPherson attended The Eclipse with two of his actors, leading men Ciarán Hinds and Aidan Quinn. His multi-tasking movie is a fusion of love story, grief study, character comedy and horror. The audience gathered for its world premiere responded to all of those elements enthusiastically: visible seat-jumping and audible gasps sprang from the scares, laughter emerged from the surprising comedic choices, and the drama hit home too, prompting personal stories from some audience members who’d lost loved ones.

“This is the first audience who’s ever seen the film,” McPherson announced to huge applause as the credits ended. He likened the premiere of his ghost story to an “out of body experience.” The Eclipse won praise from the crowd for its digital camera work and expressive original score by Fionnuala Ní Chiosáin, who was also in attendance. The setting and location further elevated the film’s mysterious mood. McPherson’s location team scouted every seaside town in Ireland, but the final decision was swift. “Cobh just had the most visual bang offered and that was it. I needed the gothic thing.”

Ciarán Hinds was open minded about what exactly his widower character was experiencing during the ghostly visitations. “Michael is haunted by his own emotions and his own grief. In a sense it could be real.” Whatever the story, the actors must take it seriously. “One doesn’t play the absurdity. One plays the truth.”

Aidan Quinn seemed thrilled to provide comic relief for a change. “I think it’s an awful terrible thing when an actor gets typecast as being  serious.” His novelist character amused him. “That character Nicholas is in his own private Idaho,” he said and joked about preparing for the drunk scenes: “I had to do research. Being Irish, we don’t usually go there. It was difficult for me, but I took one for the team.”

McPherson showered praise on his cast: “I’m not a writer who writes things that people read. I can’t do that. I need great performers to lift the work, and I’ve been very fortunate.” Hinds and Quinn were his first choices, and he felt he was lucky to get them. Quinn, ever quick with a quip, countered, “Brad and Johnny turned it down.”

“I always need a supernatural element in all my stories.” McPherson said. “I think life is supernatural. I don’t think there’s any divide. I think it’s all a huge mystery.” A more practical question emerged: How do you market such a mix of genres? McPherson, light-hearted and thrilled with the premiere, confessed: “Listen, I’m exhausted after making it. I don’t know. It’s a supernatural love story. There are people who are obviously very good at [marketing], so…we need them!”
 



The Eclipse
screens throughout the Festival.

Read more Festival Q&As.
 




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The Eclipse by gomezdo on April 25, 2009 04:34 PM
Sorry to point out, but the actor's last name is Hinds, not Hands. Otherwise, good summary of the Q&A. I really enjoyed the film.
Missed Opportunity by spielerda on April 27, 2009 07:39 AM
I too enjoyed this film however, I kept waiting all through it for a meaningful discussion between Michael and his love interest (aka the author of Eclipse) regarding his ghostly encounters and it never really happened! I was truly frustrated that Nicholas kept interrupting them every time they got close to any sort of a discussion. How can two people fall in love when they can't even have an uninterrupted moment to truly connect on the very subject that supposedly drew Michael to her (like a moth to a flame) in the first place? As an audience member I felt confused - like I had missed something... which leads me to suspect that a major component of this story was left on the cutting room floor. I don't like to be spoon fed however, far to much was left to the viewers imagination and the skill of the actors to ill effect. Also, would a good man/ kind father (which this -character is supposed to be?!) keep leaving his young children home alone to fend for themselves (all the time!) in a house that he felt was haunted/breached and then scold them for "their" indiscretions? It seemed very hypercritical and unrealistic. The film has some really great moments which take the audience on a visual roller-coaster ride but, I feel it missed a very real opportunity to educate it's audience about ghostly encounters/visitations - especially around the death of a loved one. This being said I feel this film has great potential if re-edited to show better development of the love story, less focus on the Nicholas character (he is not essential enough to the plot to be given sooo much screen time - even if he is played beautifully by Aidan Quinn) and a lot more attention to the ghost/supernatural aspect of the story.